PRACTICE

Nazareth Hassan is an interdisciplinary artist working in performance, writing, music, video, and photography. Recent performance works include Untitled (1-5) at The Shed (text published by 3 Hole Press), VANTABLACK at Theatretreffen Stuckemarkt in Berlin, Slow Mania 009 at Center for Performance Research in Brooklyn, and Memory A at Museo Universitario del Arte Contemporaneo in Mexico City. Their first collection of poetry and photography Slow Mania will be published in 2025 by Futurepoem. They have released 4 singles, available on all platforms. They were the 2022 resident dramaturg at the Royal Court Theatre in London. They are a 2023-25 Jerome Hill artist fellow and the Tow Playwright in Residence at The Vineyard Theatre. They make work about love, anger, ambivalence, shame, and surveillance.

Keenan Tyler Oliphant is a Theatre-maker and director from Cape Town, South Africa, whose work is in the lineage of Theatre-making and Storytelling traditions of Southern Africa. Selected directing credits include the Heather Christina’s Terce: A Practical Breviary (HERE Arts); To the Ends of the Earth (JACK); Will You Come With Me? (PlayCo), Jay Stull’s The Singularity Play (Harvard TDM); Sam Grabiner’s People on Earth (Columbia University), Vivian Barnes’ Intro To (Ensemble Stage Theatre), queen a queer ritual by Jay Stull (Dixon Place), Self-Combustion of a 30 Something Year Old… (New Ohio) Kyk Hoe Skyn Die Son [Look at How the Sun Shines] (Clubbed Thumb Winterworks) and developed work with NYTW and Ars Nova amongst others. Keenan is an alumnus of the Clubbed Thumb Directing Fellow (2020-2021) and the Drama League Directing Fellowship (2021-2022). MFA Columbia University.